Government

London Mayor announces £25m small business fund

London Mayor announces £25m small business fund

Regent+Street

London Mayor announces £25m small business fund

Tim DonovanBy Tim DonovanPolitical Editor, BBC London

Mayor of London Boris Johnson makes a Gu chocolate souffle with head chef Boris Johnson visited a Gu pudding maker’s factory in east London
London Mayor Boris Johnson plans to use £25m of government money to help small businesses access loans.

It forms part of proposals to invest the second tranche of a total £111m provided by the government to try to revive London’s economy.

Government ministers recently criticised the mayor’s slow progress in creating a “jobs and growth strategy”.

The mayor has so far spent only £2m of £70m available to his London Enterprise Panel in the first tranche.

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It is vital that the scheme announced today is attached to the soon to be created Business Bank which will house a myriad of similar funds”

Steve WarwickFederation of Small Businesses

Mr Johnson was not clear on the details of how the £25m would be spent but said would be used to help small businesses.

“Today’s fund, which will enable significant support for small and medium businesses, is just one way we are working to unlock potential and provide jobs for our growing city,” Mr Johnson said Mr Johnson at a Gu pudding factory in Walthamstow.

‘Turned down’

His officials said the idea was to get a private financial institution to match the amount, creating a £50m fund to help provide loans and equity for small and medium-sized businesses.

Steve Warwick from the Federation of Small Businesses said it would be welcomed.

“The credit crunch has meant that many businesses have struggled to get the finance that they need to operate their business effectively,” he said.

“Our research shows that five in ten businesses in London were turned down for a loan or overdraft in the first quarter of 2013.

“This needs to be addressed as a matter of urgency which is why it is vital that the scheme announced today is attached to the soon to be created Business Bank which will house a myriad of similar funds.”

A further £15m is being made available for companies and research institutions in the science and technology sector who must apply for funding.

It has also emerged the mayor plans to spend £25m on widening the Western Anglia rail route, saying this will help the economy of east London by improving transport links.

Mr Johnson said it was “coincidental” the West Anglia rail franchise is one of the two he wants to take over next year.

Do you know your social media rights?

Do you know your social media rights?

UK.Gov passes Instagram Act: All your pics belong to everyone now

socialphotos

Have you ever uploaded a photo to Facebook, Instagram or Flickr?

If so, you’ll probably want to read this, because the rules on who can exploit your work have now changed radically, overnight.

 Amateur and professional illustrators and photographers alike will find themselves ensnared by the changes, the result of lobbying by Silicon Valley and radical bureaucrats and academics. The changes are enacted in the sprawling Enterprise and Regulatory Reform Act which received Royal Assent last week, and it marks a huge shift in power away from citizens and towards large US corporations.

How so? Previously, and in most of the world today, ownership of your creation is automatic, and legally considered to be an individual’s property. That’s enshrined in the Berne Convention and other international treaties, where it’s considered to be a basic human right. What this means in practice is that you can go after somebody who exploits it without your permission – even if pursuing them is cumbersome and expensive.

The UK coalition government’s new law reverses this human right. When last year Instagram attempted to do something similar, it met a furious backlash. But the Enterprise and Regulatory Reform Act has sailed through without most amateurs or semi-professionals even realising the consequences.

The Act contains changes to UK copyright law which permit the commercial exploitation of images where information identifying the owner is missing, so-called “orphan works”, by placing the work into what’s known as “extended collective licensing” schemes. Since most digital images on the internet today are orphans – the metadata is missing or has been stripped by a large organisation – millions of photographs and illustrations are swept into such schemes.

For the first time anywhere in the world, the Act will permit the widespread commercial exploitation of unidentified work – the user only needs to perform a “diligent search”. But since this is likely to come up with a blank, they can proceed with impunity. The Act states that a user of a work can act as if they are the owner of the work (which should be you) if they’re given permission to do so by the Secretary of State.

The Act also fails to prohibit sub-licensing, meaning that once somebody has your work, they can wholesale it. This gives the green light to a new content-scraping industry, an industry that doesn’t have to pay the originator a penny. Such is the consequence of “rebalancing copyright”, in reality.

What now?

Quite what happens next is not clear, because the Act is merely enabling legislation – the nitty gritty will come in the form of statutory instruments, to be tabled later in the year. Parliament has not voted down a statutory instrument since 1979, so the political process is probably now a formality.

In practice, you’ll have two stark choices to prevent being ripped off: remove your work from the internet entirely, or opt-out by registering it. And registration will be on a work-by-work basis.

“People can now use stuff without your permission,” explained photo rights campaigner Paul Ellis. “To stop that you have to register your work in a registry – but registering stuff is an activity that costs you time and money. So what was your property by default will only remain yours if you take active steps, and absorb the costs, if it is formally registered to you as the owner.”

And right now, Ellis says, there’s only one registry, PLUS. Photographers, including David Bailey, condemned the government for rushing through the legislation before other registries – such as the Copyright Hub – could sort themselves out.

“The mass of the public will never realise they’ve been robbed,” thinks Ellis. The radical free-our-information bureaucrats at the Intellectual Property Office had already attempted to smuggle orphan works rules through via the Digital Economy Act in 2010, but were rebuffed. Thanks to a Google-friendly Conservative-led administration, they’ve now triumphed.

Three other consequences appear possible.

One is a barrage of litigation from UK creators – and overseas owners who find their work Hoovered into extended collective licensing programs. International treaties allow a country to be ostracised and punished. The threat has already been made clear from US writers and photographers, who’ve promised “a firestorm“. Reciprocal royalty arrangements can also be suspended, on the basis of “if you steal our stuff, UK, we won’t pay you”. In addition, a judicial review, based on the premise that the Act gives Minister unconstitutional power over the disposal of private property, is not out of the question.

Secondly, the disappearance of useful material from the internet is likely to accelerate – the exact opposite of what supporters wish for. We recently highlighted the case of an aerial photographer who’s moving work outside the UK, and we’ve heard of several who are taking their photos away from the web, and into lockers. The internet is poorer without a diverse creative economy – because creators need legal certainty of property rights.

And finally, there’s the macroeconomic consequences for the UK economy.

The notorious ‘Google Review’ chaired by Ian Hargreaves failed to undertake adequate impact assessments, a giveaway that even the most rabid “copyright reformers” recognise there isn’t an economic case to be made for taking everyone’s stuff and giving it away.

“There’s value in works, and if anybody can exploit them except the person who creates them, then value is transferred to the exploiter,” explains Ellis. “This is a massive value transfer out of the UK economy to US tech companies.”

Where it will remain, he thinks, because UK tech/media companies – should they appear – almost invariably become US-owned.

Copyright “reformers” of course rarely like to talk about such unpleasant matters – and will steer the conversation away from economic consequences as rapidly as possible. Indeed, the they generally talk using Orwellian euphemisms – like “liberalising” or “rebalancing” copyright. It’s rarely presented as an individual’s ability to go to market being removed. This is what “copyright reform” looks like in practice.

“It’s corporate capitalism,” says Ellis. “Ideally you want to empower individuals to trade, and keep the proceeds of their trade. The UK has just lost that.”

So while the Twitterati and intelligentsia were ranting away about “Big Content”, we’ve just lost the ability to sell our own content. In other words, you’ve just been royally fucked.

Source : The Register

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